Today was a quick day in New York full, as always, of adventure, intrigue, and moronic use of the #6 subway line.
The Apple store on 5th Avenue is a sight to behold. The entrance, a gigantic square of glass, erupts from an open courtyard like some kind of Jobsonian temple to straight lines, empty space, and transparency. The store itself is downstairs, so you can take the Willie Wonka glass elevator or the clear stairs to the sanctuary below.
Boy, was it crowded! Really jam-packed, with all sorts of sweaty people buying iPods and computers and whatever else. I meant to get a battery for my laptop, but in the heat of the new iPod moment, I forgot.
Afterward, we dashed (I say we because my traveling companion on this trip was Russell, a Big Cheese and Great Fellow from West Texas A&M University, which is in Canyon, Texas - half an hour south of Amarillo) to Grand Central Station to meet my dear friend Davide whom I've known forever and have promoted to official Aunt status for the kids. We met her for dinner at an oyster restaurant below the Grand Central Station terminal, a dinner at which I immediately knocked over her glass of water into her bag and across the floor, causing quite the ruckus with the restaurant wait staff. They clamored and scurried over the pool of water on the floor like ants on a picnic watermelon, all the while assuring me it was all okay, everything was a-okay.
From there, Russell and I took the subway to the Village to see Gone Missing, an off-broadway play that was quite good and entertaining. Russell knew one of the actors from some way-back-when speech tournament, so we had a very pleasant hour after the play at a French bistro restaurant talking about the show. Our waiter was a weary Frenchman, and I really wanted to order "water with ghaaaasss," but by then my sore throat had conspired with my voice to make me utterly and incomprehensibly hoarse. All I could do was smile and point.
Right after the play had finished, I noticed the six actors hanging around outside the theater's entrance. They were regular people again, hanging around a darkened door, talking to friends, and you wouldn't have guessed they had just been the object of attention for a hundred or so of us other people for the past 70 minutes. I liked this part of show, the part most of the audience misses, the part where pretending stops and life begins, the part where you see a tattoo on an actor's arm and wonder if he has to cover it up or lose roles because of it, the part where stage accents are gone and homegrown accents are back.
That's the part of the night where the city takes the crowds and shoppers, hungry diners and frantic waiters, pretenders and playwrights and pushes them all into the background noise of the city.
I like that transition. It's like dusk, moving people from one source of light to another.